DIMA Digest: January/February 2026
March 3, 2026 | DIMA Digest Newsletter
DIMA Hosts Inaugural “New Voices” Event
The DIMA team was in Los Angeles for GRAMMY Week to connect, convene, and celebrate during one of the most exciting weeks in music.
Amid the week’s packed schedule, DIMA hosted its own gathering: DIMA New Voices.
Dozens of senior leaders from DIMA member companies joined songwriters, producers, record label and publishing executives, industry partners, and policymakers for an evening of conversation, connection, and live music.
Guests were treated to a standout performance of original music from emerging artist, Lindsey Lomis, whose set captured the spirit of discovery and creativity that defined the night.
DIMA New Voices underscored our commitment to collaboration to collaboration across the music industry – and to creating spaces where emerging artists can connect with new audiences and build lasting momentum.
LEARN MORE ABOUT DIMA’S GRAMMY WEEK EVENT AND ENGAGEMENTS
DIMA Reflects on Major Streaming Innovations from 2025
At the beginning of this year, DIMA took the opportunity to look back at some of the most significant innovations by DIMA’s members in 2025 – a year when music streaming services continued to be amongst the most powerful engines of progress in the music industry.
From developing new technology powering music discovery and engagement, to strengthening royalty transparency and artist protections, streaming services are actively shaping a more efficient, creative, and sustainable future for music.
DIMA CEO Calls on Quebec Government to Leave Music Discovery to Quebecers
In January, DIMA President and CEO Graham Davies penned an op-ed for the Montreal Gazette, urging the Quebec government to build on what already works, instead of imposing restrictions that reduce streamers freedom to choose what they listen to under Quebec’s Bill 109.
Davies cited recent research from Leger, which showed that two-thirds of Quebecers surveyed – 66 percent – said that government should not influence what music is available on streaming services, rising to 75% among young adults ages 18 – 34.
More Quebec artists than ever are earning royalties, finding fans across borders, and building sustainable careers. As the government designs the regulatory framework for Bill 109, Davies stressed that the question cannot be how to limit consumer choice – it must be how to build on what is already working.
DIMA Urges U.S. Policymakers to Protect and Promote Digital Innovation
Last month, the Trade Subcommittee of the U.S. House Ways and Means Committee held a hearing titled, “Maintaining American Innovation and Technology Leadership.” DIMA shared its perspective in written comments that emphasized the importance of robust digital trade frameworks that encourage cross-border cooperation and strengthen American economic and technology leadership.
The DIMA comments highlighted music streaming’s role powering the U.S. – and global – music industry and its significant contributions to the U.S. economy.
The Committee’s hearing was particularly timely in light of ongoing concerns with Canada’s Online Streaming Act, which attempts to impose outdated, local broadcasting regulations on music streaming services with significant implications for U.S. companies and creators, as well as those in Canada.
DIMA appreciates the Committee’s continued focus on issues of innovation and technology leadership and championing the open flow of digital trade. The success of the American – and global – music industry depends on seamless cross border access for both audiences and creators.
